On those moments

I am writing this from my bedroom in Chicago. I am sitting in a leather club chair that now fills the space where a 108 pound Saraswati statue used to sit for the past two years. I kept this statue close by for nearly twenty years. She is now on her way to a new home. I did not have a chance to document the moment my husband hoisted the thing down to his car and drove with her to the post office. I walked into my bedroom and she wasn’t there anymore and I thought I would feel something bigger about that but I didn’t. What came to mind was the time I watched Buddhist monks spend days making an intricate mandala out of colored sand. They knelt beside this enormous installation for hours and blew colored grains into the design. It took hundreds of hours to complete. It took minutes, if not seconds to dissipate into the air.

Last week when my older sons were here I didn’t get one shot of us being together, something I have made a practice of doing (then posting on Instagram with hashtags #mamasofsons). It must be slightly off putting from their perspective to scroll their feeds and see their middle aged mama posting selfies on a regular basis. It’s just weird, my son says.

When I dropped one of my sons at the airport last week he grabbed his bag out of my trunk and I said, “We didn’t get one picture!”

“That’s ok, mom,” he said. “We don’t need it.”

I watched him walk through the glass doors with his headphones on and proceeded to take a photo of the airline departure sign. I will never get used to saying goodbye to my kids, was my caption.

I have made many attempts in the past few weeks to write something, anything. In my last attempt entitled “rambling blog” I wrote about the week of my sons’ visit. “It was family dinners at home and TV watching and dog walks and intermittent arguments about getting off the phone. It was me calibrating to the new feeling that comes with accepting that my older sons are now visiting me and no longer living with me.”

These days, the question how did I get here so fast is often on my mind. The coming and going of moments seem so much faster now. Moments I look forward to become memories in an instant.I think about writing them down. To capture the ways in which I am seeing these moments flash by my eyes. The thought that gets sparked by the certain way I look up at the sky. That feeling when my son is no longer in the passenger seat and I am driving back to what still feels like a new life even though it is nearly two years since I moved.

By the time I sit to write, the words that once danced around in my head are gone. I am empty. But not in the good Buddhist way. In their place resides an onslaught of criticism. Coupled with a lot of frustration. If I were really a writer, I would be writing every day. If I were really a meditation teacher, I would be sitting every day. I look at the stack of books I have yet to finish reading.

Recently, I registered for two online courses. I wanted to be part of something. I wanted another booklist. More content to accumulate. My life has winded down to the quietest place it ever has been. This is a good thing, I think. Two minutes later I feel guilty about all the time I have on my hands. I am antsy and impatient. I am trusting and centered.
I am a changing family.
I am eating differently.
I use oil on my face now when not too long ago I would have balked at the idea of using anything other than astringent.
“The truth is always changing,” my husband has told me before.“It’s dynamic.” I think about the dishes I picked out on my wedding registry over twenty years ago and how today I would not pick those same dishes.

I recognize that old tide of doubt that rises within me when I am about to start something new. It used to stop me in my tracks. Now, I proceed, often with my hand on my heart. The teacher from one of my online courses posted an urgent forum speaking to the hundreds if not thousands of us who shared our nagging fears about our futures. When will we get to the other side? We were all so paralyzed by the same questions. We all doubted ourselves in one way or another. We were halted and yet our lives were brilliantly drifting along. Dense. Fleeting. Invisble.

Toss your doubt aside, the teacher said. She looks like someone who was practiced at doing that. At not letting her doubts ruin a perfectly good vision for life.

Last week I gave a lecture to new teachers entitled Soul of the Teacher. “Practice trusting your own soul,” my husband suggested. I showed up with my favorite poems. I came to listen. The women echoed back to me their own fears. The wanting to know. The wanting to grasp. The wanting to have certainty. I loved them so much for admitting out loud what I wondered about too.

If I trusted myself more, I would no longer question if I was enough.

This from Mary Oliver:
…though I play at the edges of knowing/truly I know/our part is not knowing/but looking, and touching, and loving/which is the way I walked on/softly,/through the pale, pink morning light.

And this from Parker Palmer:
…there is a deeper and truer life waiting to be acknowledged.

I believe in muses, the way a stroke of genius ushers itself into a body at the exact perfect moment and if not pulled in close, if not recognized or received, it would drift away as suddenly as it arrived. Moments are filled with muses. And my awareness I have come to think of as a great sieve— catching the glistening particles in these tiny openings and draining away the rest.

 

On knowing when

I am writing this from my living room in Chicago. I am surrounded by shelves of yoga books and small bronze Hindu statues perched on the window sills. When I moved here with my husband and son two years ago, we not only moved out of a four-bedroom suburban house, but we also moved out of our yoga studio filled with numerous altars and art and crystals and books and all the various artifacts that made that space feel sacred.

For two years now, my bedroom has looked like a makeshift Hindu temple. I wake up to a three-foot bronze statue of the goddess Saraswati. She once stood like a maternal guardian at the helm of the yoga studio and for years she watched over students practicing yoga. We lit candles and incense around her and chanted her name. At the time, I wasn’t sure what the rules were around caring for statues of this size. It felt like it was important to nurture this prominent thing who seemed to raise the vibration of the space she inhabited. Now, she sits a few inches from the foot of my bed where my husband and I drink coffee, watch tv, read, and sleep.

I found Saraswati when I was in India over thirteen years ago. It was a transitional time in my life. I was newly divorced, a young mother of two, and amidst (or thinking I was amidst) a kind of spiritual awakening—case in point, I was in India shopping for Hindu statues that I knew so little about. Saraswati stood hidden under a white sheet next to a crowd of large Shiva and Ganesha statues. I walked around the store eyeing each statue as if I were trying to get to know them on a personal level.
“I want to find a deity,” I said to the shop clerk.
“You don’t find deities,” he said, “deities find you.”

That was exactly the kind of response I loved back then. I was besotted with all things I didn’t yet understand but was pulled by this inexplicable force to keep searching, keep questing, keep trusting what was underneath this undeniable pull. What was guiding me? What was I looking for? I was fueled by a feeling. I peeked under the sheet and there was that feeling.
“That’s Saraswati,” the store clerk told me. “She is Goddess of speech, the Goddess of art.” Bingo.

Saraswati took a month to arrive at a shipping port in Queens, Long Island. She spent another week locked away at some mafia owned dock until I paid a large fee to release her to a delivery company who would drive her fifty miles to the front door of my first yoga studio. I placed her inside the practice space spotlighting the side of her crown. She was a curvy bronzed mesmerizing thing, and she added antiquity and an air of mystique to the shiny new floors and Halogen lighting. When students asked about her I always said, “She made quite the journey to get here,” thinking about her boat ride from India and the shipping port and the container she was packed in for weeks; but I was also referring to my own journey from stable wife, mother cared for and secure to a kind of irrational, free-spirited, fanciful (and emotional) dreamer. I had no idea where I was going, but I was going.

Saraswati became the subliminal inspiration for everything I taught. When I heard her origin story—that she was once a river who dried up and became your breath—I understood what the shop clerk meant when he said deities choose you. Here she was, perfectly placed, and inspiring the many breathing, flowing bodies that came to practice yoga and find themselves. Here she was, a muse, a beacon, a sure-footed form who seemed to move elegantly with the pace of her art. She reminded me of all that lit me up in life — personally and artistically. Her story teaches me that the art of our lives is to be discovered amidst the making of them.

Last week, seemingly out of nowhere, I walked into my bedroom and said to my husband that I thought it was time to sell her. Here she was now, crowded between an orange love seat and a dresser of drawers. I had that feeling that something was misplaced. I investigated that feeling. I recognized it. That pull to move.
“She doesn’t belong in here,” I said to my husband looking around my bedroom. I knew she should be among artists and music makers and poets, somewhere she can nurture the many and not sit here like a stagnant relic of my past. I wasn’t so concerned with keeping her form with me anymore and I have no idea why I knew that for sure. It was just time. Just that feeling.
       

Trust me. Go this way. Hold steady. It’s okay. These are the words I hear right now when I close my eyes, put my hand on my heart and take a breath. Perhaps I heard these words all along. The words that have been guiding me to do, to go, to move, to stay despite not knowing why or where I would end up. The words that helped me recognize that Saraswati was the deity I would take home, the same words that I heard when I recognized she now needs to go. Saraswati has always been to me about finding the words. I kept her close by as if she was responsible for dispensing some kind of verbal transmission.

It’s time. I wince at the thought of this statue collecting dust. It’s as if she is looking at me and saying remember my story— one I know that does not end up in a private bedroom watching over my husband and I as we check our email and get ready for the day. Hers is a story that lives on in the hearts of the artists of the world and in the voices of those willing to see their lives as the offering.

Equanimity and loss

I am writing this from my couch in my living room. I am looking out the window at a dark day. The temperature dropped twenty degrees. Yesterday, when the sun was shining my dog of ten years was still alive. I spent most of the day home lying on the floor with my him and saying thank you. My husband and I took turns crying and thinking about what this big black beautiful creature with the droopy eyes and perfect face had given to each member of our family just by doing what he was doing right at that moment – being there through everything. This morning I woke up with that thud of awareness that he is no longer here anymore. His dog bed is stripped and vacant. The shift in weather is so right I want to hug mother nature for giving me the exact sky that matched my gloom.

In the last few months of Walter’s life, when his body was declining, his back legs dragging and paws bloody, his hips sloping. his city walks cut short by his refusal to take another painful step, I asked my husband, “He will let us know, right? When he’s ready?” And I looked at Walter curled on his dog bed in the kitchen which was one of the only places he could get comfortable anymore.

This past week, for an assignment of a course I recently enrolled in, I was to reflect on the word equanimity. Joan Halifax describes equanimity as “The stability of mind that allows us to be present with an open heart no matter how wonderful or difficult conditions are.”
Most of the students posted photos of their beautiful drawings and poems and gorgeous notes reflecting on what they felt equanimity was. I kept thinking of Walter.

“I think he is ready”, my husband said two days ago. “We are the ones holding on.”

Ram Das’ guru the great yogi Neem Karoli Baba was a famously large man. It was said that his love was so strong that he had the power to absorb people’s pain and diseases so they would no longer suffer.  Dogs are like that — great absorbers, keepers of all our stories, big-hearted gurus who could care less how we show up. Only that we do.

Walter’s passing was quick. We brought him from the car to the vet. We were ushered into a quiet room. There was a jar of square turkey treats on a table and a green blanket on the floor. I was expecting candles or some prayer on the wall but there were only posters of dog anatomy and warnings about getting your animal tested for this disease or that. Walter was panting and nervous and we were already sobbing before the catheter and the medicine and the sudden way his bloated chest went from shallow heaves to no movement. “His heart stopped beating, the vet said and Walter’s head lopped onto my husband’s lap.

We walked outside and the bright cheer of sky was too much. So were the happy people sitting at a cafe next to the vet’s office. Being home without Walter was inconceivable yet it was a reality we would I presume come to accept. I tossed arugula into a wood salad bowl for dinner — a task that felt absurd but it was no less of a reminder of life and the way its current keeps pushing our open hearts along.

Feedback

When I first moved to Chicago a friend asked me to give him feedback on his yoga class. I considered him asking a compliment. I was new to the community and was still realizing that runners stretch in Connecticut was a low lunge in Chicago. I took my friend’s class and was happy to oblige his request. Though, from the get go I realized his teaching was different from anything I had practiced before. In fact, that was true of many of the classes I sampled when I moved here. I was learning a new dialect.

For years I was schooled in a particular way of doing yoga. I was convinced that my practice was the only way, the best way, the absolute holy grail. Had my friend asked me a few years ago to give him feedback on his class I might have leaned his approach up against my model to point out ways it was not measuring up to what I believed was the best technique for teaching the best yoga class.

As I am writing this I am squirming. I was passionate and confident about my content and that was all true for me at that time. It is only in these past years where I find have no idea or strong opinion about what makes a great yoga class truly great other than the willingness a teacher has to know herself and stand in that to the utmost. Something that must steer clear of public opinion.

I took my friend out for coffee. He looked at me for guidance and I thought about his class. He wanted me to tell him something concrete about his instructions or his sequence or what he could possibly do better. But I couldn’t. I no longer considered myself an authority. I kept saying the same thing. “Are you teaching what lights you up? Are you able to share that from that place?”

I thought about how much my opinions had changed over the years. I thought about the recent workshops I taught. How vulnerable I felt showing up with my stack of poetry books leading a whole weekend without having the security to rely on any system. “We just want you!” they said and how much I questioned if that would be enough. My experience now has taught me that teaching has nothing to do with making students invest in what I think but more to do with finding the language and holding the space for students to invest more in what they think.
How hard it was for me to deem that worthy enough for a weekend workshop but then again. . .

A week ago I received feedback from students who were subscribers to a certain new phenomenon called ClassPass. Despite the perfunctory advice to take the feedback “with a grain of salt,” something no human can ever really do, I took a breath and read the twenty public opinions about my class. (I will preempt this to say that many were lovely but of course my fixation rest solely on the few reviews that stung).
Tracy overcomplicates things. Fair, enough.
Teacher talks through the entire class, I mean the ENTIRE class. This one had a sad face next to it. One star.

By the time I finished reading the reviews I worked out some ego stuff, and picked myself up by the collar. Sharon Salzburg has famously said. “We are not meditating to become better meditators. We are meditating to become better people.” Parker Palmer reminds me that what we teach is not as important as who we are when we teach. Presently, as I drift further away from any brand or prescribed system of yoga or movement preference I am left to do what perhaps any practice has intended all this time – to trust myself more than anything else and go with that.